by Danielle Funiciello
Visitors to Schuyler Mansion during our “Salutations of the
Season” event on January 7th got a sneak peek at a much talked-about
project that has recently come to fruition; the reproduced “Ruins of Rome”
wallpaper that once, and now again fills the hallways of Schuyler Mansion.
As previously discussed in our article about the start of
this project (here), the “Ruins of Rome” was a paper produced in England during
the mid-1700s. Philip Schuyler’s receipts from the initial construction of the
home show purchase of enough “Ruins of Rome” paper to cover both the large
downstairs entry hall and the even larger upstairs central hall or “salon”. The
paper would have also been applied to the staircase connecting the two.
As one might imagine, a detailed, historic wallpaper like this creates a number of challenges in addition to the usual difficulty of modern wallpaper, both in production and installation.
High resolution prints of the "Ruins of Rome" wallpaper receive a UV coating at Peebles Island Resource Center, September 2017. |
Rich Claus and
Erin Moroney of the Peebles Island Resource Center went above and beyond the
call of duty in creating our high quality digital reproduction of the paper,
which was spliced together from two different sources. It had to be perfectly modeled
to fit the dimensions of Schuyler Mansion and account for the overlap that
would result from the installation process. Once the paper was printed, Erin
Moroney and paintings conservator Mary Betlejeski applied a UV coating to
protect the color from fading over time. Not only did the Peebles Island team
execute this project beautifully but, even after retiring this past year, Rich
Claus continued to volunteer his time to make sure that the project was a
success – we thank him greatly for this!
Charlie Gilley puts finishing touches on wallpaper panels in the stairwell at Schuyler Mansion, January 2017. |
Members of Gilley Paint and Restoration LLC prepare paper panels for installation in the Salon at Schuyler Mansion, January 2017. |
Once the
reproduction was finished, it was handed into the capable hands of Charlie
Gilley and his team from Gilley Paint and Resoration LLC, for installation. Installation began late in November, but some visitors may have noticed; only
the small back hall had paper by our January 7th event. This is
because a key initial step was preserving and covering the existing wallpaper
in the upstairs salon. Called “Eldorado”, this paper by the Parisian company Zuber has
been produced since 1848. It was installed at Schuyler Mansion as part of the
earliest museum interpretations around 1914. Being over 100 years old and in
excellent condition from being in the controlled museum environment, it was
important to preserve this beautiful artifact in state. Therefore, before "Ruins of Rome" could be installed, paneling had to be installed to create a faux-wall
surface that the new paper could adhere to. “Eldorado” will remain protected
beneath the “Ruins of Rome” for future generations.
The final
results are stunning. Rather than the sparse interior which has greeted
visitors for 100 years, walking into the mansion is like now like stepping back
in time. Philip Schuyler vision for his home was calculated. Each element was
designed not only to impress guests once they arrived at the home, but to
encourage wealthy and important guests to come in the first place; thereby
creating networking opportunities for the Schuyler family. The size and
grandeur of the home was successful – drawing visitors like the Washingtons,
the Marquis de Lafayette, the Marquis de Chastellux, Benedict Arnold, and even
Benjamin Franklin, who had a letter of introduction written so that he could
stay at Schuyler’s when travelling through Albany. The “Ruins of Rome"
helps historians and museum visitors alike understand the first impression that
accomplished this.
Our public unveiling event for the “Ruins of Rome” wallpaper
will correspond with our July 4th Independence Day celebration this
year, though Friends of Schuyler Mansion Members, who matched the grant to pay for this project, will have an earlier
unveiling, and visitors can see the completed installation on Hamilton Tours
and during the regular season beginning mid-May.
This must be stunning, and so much more in keeping with the rest of the house. Also reminds me in color and design of the wallpaper from the (then) nearby Great Hall of Van Rensselaer Manor House now in the Metropolitan Museum of Art. (http://www.metmuseum.org/art/collection/search/9996) Could there have been a bit of a friendly design competition going on between the two?
ReplyDeleteYou are correct Susan. We've just fixed the link to our previous article about the wallpaper. This version is digitally spliced together from the one at the Met and a copy at the Jeremiah Lee Mansion in Marblehead, Massachusetts. Philip purchased this copy at least 3 years before Stephen Van Rensselaer I began construction on that home. Given the close familial connections and intermarrying between the two families, it is very likely the Van Rensselaer's chose the paper having seen it at the Schuyler's home. Schuyler went himself to England and picked the paper out in person during Schuyler Mansion's construction. Most versions of this and similar paper are grisaille and sepia tones, making me believe that the VRMH paper has been tinted to this yellow tone. Rather than competition, we choose to think of it as "keeping up with the Schuylers" - which could sometimes be a challenge in this area.
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