The Family's Fire Buckets

by Rebecca Kurtz

When taking a tour of Schuyler Mansion, you will see, in the yellow parlor as well as nearly every other room, black buckets that read : “P. Schuyler” and a number. These are fire buckets, which were commonly found in households during the eighteenth century.

In 1733, Benjamin Franklin, upon observing that fires in Philadelphia were extinguished primarily by groups of well-meaning citizens, suggested that a “Club or Society of active Men belonging to each Fire Engine; whose Business is to attend all Fires with it whenever they happen " should be formed.

Benjamin Franklin

Thus, throughout the 1700’s, early incarnations of fire departments were developing throughout the United States. These primal versions of fire departments still, like all other citizens, relied on wells and water pumps as a source of water. Therefore, to increase the probability of having enough water to douse fires, homeowners were mandated to have leather fire buckets in the houses.The number of fire buckets per household was determined by the amount of fireplaces in the house. For example, Schuyler Mansion has eight fireplaces (one in each room of the house) so the Schuyler family would have been issued eight fire buckets. When there was a fire, each household would be expected to fill their fire buckets with water from the well (or have their slaves or servants do it) and throw them on the fire, forming citizen bucket lines. 

When the fire was extinguished, the buckets would be collected, distinguished by the names painted on them, and returned to their owners.  If a household’s fire

Citizens working together to extinguish a fire with buckets

buckets were not found (or not all of them were found) it would be known that that family did not adequately participate in the effort to put out the fire, and they would face repercussions that could include exclusion from the service. 

The fire buckets that are currently on display at Schuyler Mansion are reproductions. Oftentimes, when visitors see the fire buckets on tours, they ask whether they would have sometimes contained sand as well as water. The answer is yes, they would have. Not only would the Schuyler family have utilized their fire buckets in order to contribute to the community effort to extinguish fires, but they also would have used them to put out fires in their own fireplaces. It would often be easier to store sand in the buckets, which we kept nearby fireplaces, because, unlike water, sand did not evaporate.

Come see the fire buckets today at Schuyler Mansion! Our final day of the season, October 31st, is just over a week away!

Courtly Carpeting in the Schuyler Home

by Rebecca Kurtz

Detail of the Brussels carpeting in the Yellow Parlor

Last week, you were introduced to the Yellow Parlor, a room at Schuyler Mansion that epitomizes just how English the Schuylers considered themselves to be. We previously discussed the history surrounding the sophisticated flocked wallpaper that bedecks the walls of the yellow parlor. This week, however, we will focus on the Brussels carpeting that covers the parlor’s floor.

During the eighteenth century, the wealthiest in the colonies imported Oriental rugs from Asia known as Turkish carpets. However, English carpets were popular as well and, since they were not nearly as expensive as their Asian counterparts, they were more common in the colonies. Philip Schuyler chose Brussels carpets over the other English styles at the time, which were Ingrain, Wilton, and Axminster.

Brussels Carpeting

The Brussels carpet, a loop-pile, wool carpet with a linen warp that contained five colors, was originally created in Brussels circa 1710. England began producing them around 1740, and continued until the 1930’s. Many carpets during the eighteenth century were purchased in long, narrow strips that needed to be sized and sewn together. The same is true of the reproduction that is displayed in the yellow parlor today.

The reproduction Brussels carpets that are in Schuyler Mansion today (in Philip and Catherine’s bedchamber as well as the yellow parlor) were constructed by John Burrows, the founder of J.R. Burrows & Company, which produces period floor coverings.

So, come to Schuyler Mansion for a tour, and when you are in the yellow parlor and Philip and Catherine’s bedchamber, take a moment to appreciate the beautiful Brussels carpeting. There are just three weeks left of our 2015 season- so hurry! If you want to take a look at some of John Burrow’s work during the off-season, some can be found in the American Wing at the Metropolitan Museum of Art in New York City.

An Introduction to the Yellow Parlor: Welcome and Wallpaper

by Rebecca Kurtz

Right across from the Best Parlor at Schuyler Mansion, on the opposite side of the center hall, is the Yellow Parlor. The yellow parlor was a space where the Schuyler family and their more intimate guests would have gathered to converse, read from the Bible, and enjoy activities such as playing cards and viewing prints. This room was less formal than the Best Parlor. It is called the ‘Yellow Parlor’ because early in the eighteenth century rooms were often named after their location in the house (northeast) or by their color (yellow).  Although we refer to the room as the yellow parlor today, it is likely that, by the 1780’s, the term ‘sitting room’ was being used to describe the room’s function.

In the 1760’s, while Schuyler Mansion was being constructed, Philip’s superior from the British Quartermasters during the French and Indian War, John Bradstreet, sent him to England to tie up some loose ends. Philip took the opportunity to purchase a number of fashionable items while abroad to decorate his new Georgian home. These items included flocked wallpapers, Brussels carpets, and worsted fabric.

Today, the yellow parlor is decorated much more comprehensively than the parlor on the other side of the hall. This is largely due to the fact that we are still in possession of Schuyler’s receipts from when he was in England. These receipts give some indication of the types of items he purchased,

The flocked wallpaper adorning the yellow parlor

particularly the colors. Based on Philip’s receipts and the fashions that were used in decorating rooms in the mid to late eighteenth century, a monochromatic scheme was utilized during the most recent restoration of the parlor. Thus, the reproduction fabric, carpet, and wallpaper all contain shades of yellow.

The wallpaper currently adorning the yellow parlor is a reproduction of yellow flocked wallpaper. Flocked wallpaper was popularized in the eighteenth century by England and France, but may have been developed Italy as early as the fifteenth century. Prior to the Seven Years War (1754-1763) blue flocked paper from England was considered to be most fashionable. However, in order to meet demand for the paper in their country, France began producing flocked wallpaper as well. Additionally, these wallpapers regained their popularity throughout the 1970’s.

Flocked wallpaper gets its name from the fact that powdered textiles, such as wool, in the case of the wallpaper at Schuyler Mansion, were glued onto the paper in a printed design. Most wallpaper was imported and expensive during this time period. Thus, by displaying flocked wallpaper in his home, Philip Schuyler was able to express to his visitors that he not only had excellent taste in home décor, but also the money to afford it.

The yellow parlor is not the only room in Schuyler Mansion exhibit flocked wallpaper. Currently, there is red flocked wallpaper in the dining room, green in Philip’s library and Philip and Catherine’s bedchamber, and blue in the boy’s bedchamber. The reproductions that now adorn the mansion were installed within the first decade of this century.

Come to Schuyler Mansion and see these beautiful flocking patterns for yourself! Also, be sure to follow this blog, as next week we will be discussing more of the reproduction pieces that enhance the experience of visiting the yellow parlor!