Wednesday, October 9, 2024

Part III: Cornelia Lynch Schuyler Morton: Scorned, Miserable, and Passing

 By Sarah Lindecke

Cornelia Schuyler painted by John Trumbull 
in 1792, as part of a series of miniatures 
commemorating George Washington.
In this final installment of the blog series on Cornelia Lynch Schuyler Morton (1775-1808) we will focus on the ending years of her life, from the time of her parents’ deaths in 1803 and 1804, through her own death in 1808, including some details about the people she left behind.

As noted in the previous installment, Cornelia’s choice of a husband was not exactly beloved by her family, and this caused various rifts throughout the years. Despite this, Cornelia was included in the wills of her parents—given a share of the inheritance alongside her living siblings and the children of her deceased ones. In the aftermath of her parents’ deaths, a land dispute between her older sister Eliza Schuyler Hamilton (1757-1854), Cornelia, and their youngest sister, Caty Schuyler Malcolm Cochran (1781-1857) took place. This land dispute started when Cornelia and Caty accused Eliza of taking extra money from her parents after her husband, Alexander Hamilton’s (1755-1804), death. The conflict between the sisters expanded when Cornelia and Caty sought to take land that Eliza had rightfully inherited, but didn’t have the deed for because their father had died before he could finalize it. This scene in Cornelia’s life is fully detailed in a pair of blog posts: Schuyler Siblings Land Squabble Part 1 and My Dear Sister: Eliza and Caty Post Squabble Part 2. While these posts get into the squabble in more detail it is important to note that during the final years of her life, Cornelia was with one of her sisters. It is implied that Cornelia and Caty’s husbands were the ones more insistent on fighting the land battle, though they were not executors of Philip Schuyler’s will. If this is true, Washington Morton was certainly not mending fences with his wife’s family by pressuring a suit about land and inheritances.

A portrait of Mary Anna Sawyer Schuyler--Cornelia's 
sister-in-law--painted by Gilbert Stuart as part of a set 
with her husband, Philip Jeremiah Schuyler. The set was 
commissioned by Cornelia and her husband, Washington 
Morton, most likely as a gift for their wedding that took 
place in 1807. 
While Washington Morton may have been causing more issue between Cornelia and her siblings, the two of them were creating a family of their own. Cornelia and Washington Morton’s five children are as follows: Catherine Lynch Van Rensselaer Morton (1799-1887); Capt Alexander Hamilton Morton (1800-1853); Philip Schuyler Morton (1803-?); Mary Regina Morton (1806-1881); and Cornelia Lynch Morton (1808-1831). While there is not much known about the younger years of Cornelia’s children, we do know a bit about the education Catherine van Rensselaer Morton, their first child. In a letter written on December 6th, 1807, Mary Anna Sawyer Schuyler (1786-1852), the wife of Cornelia’s brother Philip Jerimiah Schuyler (1768-1835), wrote of Catherine’s education. When Washington Morton visited Mary Anna at her home in Rhinebeck, he told her about Catherine’s placement in “an excellent school.”[1] Mary Anna then asserted her own contrary knowledge of Catherine’s schooling she’d heard from the young girl herself. Catherine, it seemed, did not enjoy the school her father spoke so highly of. Mary Anna appeared to have received this knowledge from a letter Catherine wrote her. The Mortons likely wanted to provide their children with education, but as it can be seen with their daughter Catherine, the schooling may not have been something they enjoyed.

Not long after this letter was written, Cornelia died. According to letters and obituaries, she passed on June 5th, 1808, in Philadelphia, Pennsylvania, at just thirty-three years old. Mary Anna Sawyer Schuyler wrote about Cornelia’s death in a letter from June 13th, 1808, retelling much of the circumstances of her sister-in-law’s passing. She wrote:

She [Cornelia] had been at Philadelphia for four or five weeks past and the information we got was upon the whole she was gaining – this however was incorrect, she has faltered fast and has finally paid the debt of nature – I just got a few hurried lines from Morton – he says she expired ten minutes past ten on the morning of the 5th instant. Her remains were brought to New York and interred on the 11th.

I have some of the particulars – … and you will probably get a letter from him – I know your affection will be great, Cornelia endeared herself to all who knew her by her many [virtues] […]

I saw her almost two months since – she was then confined to her bed & much emaciated – but as cheerful & conversable as ever I knew her in health – It would have afforded us inexpressible comfort could her last moments been here – but it was not to be so…

This letter indicates that Cornelia suffered a wasting illness, most likely a cancer. Something she may have had in common with her older sister Margeret “Peggy” Schuyler van Rensselaer (1758-1801), who died from a similar sort of illness. We cannot be sure what the actual cause of Cornelia’s death was, but can take note that she was likely visiting Philadelphia to seek treatment for her illness as the city was a well-known center of emerging medical technology and treatment.

An obituary from a New York City newspaper following her death read:

Died, at Philadelphia, on the 5th inst. after a lingering illness, Mrs. Cornelia Lynch Morton, the amiable wife of Washington Morton, Esq. of this city. She has left five children, and a numerous circle of friends, to lament the loss of one of the best of mothers and one of the worthiest of women.

The friends of Mr. Morton are invited to attend her funeral from his residence 118 Greenwich street, to morrow afternoon at 5 o’clock.

From this obituary and Mary Anna Schuyler’s record, it appears that Cornelia was missed greatly by her community. She was a dear mother and friend to many. She also may have been the glue holding her family together as after her death, everything fell apart.

Cornelia’s husband was not a shining example of a grieving widower and father during the years following her death. Perhaps Philip Schuyler’s earlier concerns about Washington Morton had been legitimate because Morton entirely abandoned his role as a father following Cornelia’s death. Mary Anna Sawyer Schuyler wrote on December 5th, 1809, to Catherine “Caty” van Rensselaer Schuyler Malcom Cochran (1781-1857):

I understand Morton is leading a very splendid and gay life with a handsome French mistress in London – so much for parental tenderness I sometimes think he has completely abandoned his children.[2]

This letter suggests that Mary Anna and much of the extended Schuyler family lost touch with Washington Morton sometime after Cornelia’s death. Furthermore, Mary Anna’s concern for the Morton children was personal, as she and her husband took a large part in the care of the Mortons’ children after Cornelia’s death and Washington Morton’s abandonment of his family.

Engraving of Washington Morton in 1796, by Charles Balthazar Julien Fevert
de Saint-Memin.
Washington Morton’s unspoken but wayward tendencies were made explicit in Mary Anna’s letter. Philip Schuyler and other family chose to obfuscate some of their concerns, likely assuming the recipients of their correspondence were in the know and didn’t need explicit details. Mary Anna, however, was forthright with her worries. Her words may have validated the various concerns of the Schuylers, even years after they were first written.

Cornelia may not have been alive to see the breakdown of her family, but her children would never live with their father again, as he died in Paris in 1810. They remained with Mary Anna, who seemed to have raised them like they were her own children. Mary Regina Morton inherited much of Mary Anna’s estate and later purchase and revitalized Mary Anna and Philip Jerimiah’s house “the Grove” in Rhinebeck, New York.

Cornelia’s story ended with a somber sadness as she died at a young age and her family was torn apart in the wake of her death, but her witty spirit lives on through the letters she penned and through the bold life choices she made. Thank you for keeping up with our series about Cornelia’s life, and look ahead for some more great posts about some of the other Schuyler siblings.


[1] Letter written by Mary Anna Sawyer Schuyler from Boston on December 6th 1807?

[2] Letter from Mary Anna Sawyer Schuyler to Catherine “Caty” Schuyler Malcom Cochran from December 5th, 1809, in the New York State Museum Catherine Schuyler Malcom Cochran collection.


Sunday, October 6, 2024

Part II: Cornelia Lynch Schuyler Becomes a Morton: The Elopement at Stockbridge


by Sarah Lindecke

“The Lovers Tryst” by artist Charles Joseph Frederic Soulacroix. The pair in this
portrait 
are secluded with loving looks upon their faces. Reminiscent of the
sentiments Cornelia and Washington Morton may have experienced in their marriage. 



Welcome back to our blog series on Cornelia Schuyler (1775-1808). In our last blog post, you learned about her childhood and teenage years. This installment will focus on the scandalous elopement of Cornelia Schuyler and George Washington Morton (1776-1810) that took place in 1797, including the Schuyler family responses to the elopement.

There is not a lot known about George Washington Morton, or Washington Morton as he is most often called. He is said to have been born in Essex, New Jersey in 1776, to John Morton (1711-1781) and Maria Sophia Kemper Morton (1738-1832). His birth month and date are not known, but he was the last of six children in the Mortons’ marriage. Despite the minimal knowledge of Washington Morton himself, his father is well known because he was a financial backer for the Continental Congress. John Morton was often referred to as the “Rebel Banker” because he liquidated much of his personal business holdings and funneled his funds to the Continental Congress. This was not officially sanctioned by the rules of the Continental Congress, but it lent John Morton credit as an “alternative funding source for the rebels,” something greatly appreciated at the time.[1] His family also appeared to have supported the rebel military. They furnished the rebel encampment near their home in New Jersey with some supplies while also establishing an army hospital.[2]

 Washington Morton was a lawyer by trade. He trained at Princeton, where he graduated in 1792. It is not known where or how he finished his studies to become a lawyer. The 19th century book, History of the City of New York: Its Origin, Rise and Progress by Martha Joanna Lamb and Mrs. Burton Harrison, support the claim that he went to Princeton, but the work also heavily romanticized the details of Washington Morton’s younger years, and is one of very few sources that can speak to his history. The authors suggest:

As a youth, more of his time was given to the pleasures of the world than to its affairs. His fondness for athletic exercise led him on one occasion to test his powers of endurance by walking to Philadelphia for a wager. … Upon returning to New York he was lionized.[3]

These details of Washington Morton’s life are generally parroted by other sources, but there are no primary sources to back them up. Furthermore, these authors butchered and rewrote the story of Washington Morton’s elopement with Cornelia, significantly hindering their credibility.

Though we still don’t know everything about Cornelia and Washington Morton’s choice to elope, there is a first-hand account written by Washington Morton, which he wrote to his sister, Eliza Susan Morton Quincy (1774-1850), in the days directly following the event. The letter is dated October 14th, 1797, and was written from Albany:

I never could excuse it to my ever Dear sister were I permit any time to elapse without informing her of the alteration in my Situation—On Saturday evening the 8 of October Miss Cornelia Schuyler consented to unite her fate with mine—The manner in which she did it flatters me though it must have pained her; Her mother and myself had a difference which extended to the father and I had got my wife in opposition to them both—She leapt from a Two Story Window into my arms and abandoning every thing for me gave the most convincing proof of what a husband most Desires to Know that his wife Loves him—We were united at Stockbridge and spend two days with Mr. Sedgewick—We returned to the Manor of Livingston where I Left my wife with her godmother Mrs. Livingston and came hither to arrange some Business—On Monday I leave for the […] whence I shall go immediately home […]

Thus my dear sister I am at length Lost and the vast field of matrimony is doomed to be my habitation—Also the rest of the family are my warm friends and you must not permit the present difference [existing] between some of us give you uneasiness—for it will be but for a moment.[4]

George Washington Morton painted by Gilbert Stuart.
Part of the set with Cornelia.

Washington Morton’s version of the story is rather romantic and sanitized and makes him sound like an honorable man. Washington Morton was flattered by Cornelia’s decision to forsake her family, despite the obvious nod to the strife within her family caused by their relationship. He seemed to be quite comfortable with her choice to risk physical danger by jumping out of her second story window. However, beneath the obvious self-flattery of this letter, there is an interesting detail to question. Why was Washington Morton “in disagreement” with the Schuylers and what other sources speak to this split between the Schuylers and Mortons?

The Schuylers themselves never made official or direct reference to what their concern was with Washington Morton. The first mention of Morton was written by Cornelia’s father, Philip Schuyler, to her older sister, Eliza Schuyler Hamilton (1751-1854), on November 26th, 1797, just a month after the wedding had occurred. The section about Cornelia reads:

I have by the mail that conveys this written a letter to my unhappy Cornelia and in the spirit which you wish. I hope it will restore peace to her mind, if she can possibly enjoy it, with a man of such untoward disposition as her husband – I apprehend very much that he will render her miserable, and increase my affliction, - interpose your advice to her, and intreat my Hamilton to exert his endeavors to bring her husband to reason perhaps that he may still be reclaimed and become intitled to our attentions.[5]

Here no direct mention is made to the disagreements between the Schuylers and Mortons, but, evidently, even within a month of their wedding, there were significant issues within the family. One thing to keep in mind is that we cannot be sure if Philip Schuyler was projecting his own unfounded thoughts about the couple or accurately predicting Cornelia’s future in this letter to Eliza. Philip Schuyler feared for his own health should his daughter’s marriage prove to be as unhappy as he suspected, but instead of pushing his daughter away, he hoped to see their relationship repaired.

There are more references made to Washington Morton’s “incorrigible” behavior, as Philip Schuyler called it. Washington Morton’s conduct appeared to remain something of a spectacle for the well-to-do Schuylers who were personally concerned about their daughter and the life she would lead with Washington Morton. In a letter written by Philip Schuyler to his son Philip Jerimiah Schuyler (1768-1835) on November 20th of 1801, he stated:

Mr. Morton and your sister leaves this to morrow [sic], his conduct whilst here has been unusual, most preposterous. Seldom an evening at home, and seldom even at dinner – I have not thought it prudent to say the least word to him on the occasion, as advice on such an irregular character is thrown away.[6]

The Schuylers concerns about the Mortons remained somewhat vague. Philip Schuyler wasn’t making a lot of effort to lump Cornelia in with the irregularities, but still refered to the Mortons as a unit. It appears that Schuyler took more issue with Washington Morton’s choice to balk tradition because his choices pushed against usual social conventions. Yet for all the issues he took with Washington Morton’s actions, Philip Schuyler appeared to be so disinterested in correcting the wrongs that he couldn’t be bothered to speak with him, even to offer advice.

When read together, these letters suggest that Cornelia’s family disliked Morton from the outset no matter the arguments or promises Cornelia could make to her family. Despite this rather negative view of the marriage, it was still a productive one as Cornelia had five children with Washington Morton before her passing in 1808.

 Coming soon, check out the final blog in our Cornelia series where her untimely death at thirty-three years old will be discussed, as well as what would come of her family in the following years.


[3] From the History of the City of New York: Its Origin, Rise and Progress Volume 3 by Martha Joanna Lamb and Mrs. Burton Harrison

[4] Letter from Washington Morton to Eliza Susan Morton Quincy from Albany on October 14th, 1797, Quincy Papers in the Massachusetts Historical Society.

[5] Letter from Philip Schuyler to Eliza Schuyler Hamilton from Albany on November 26th 1797, in the Library of Congress Hamilton Papers: 2017 Addition: covering years 1796-1799.

[6] Letter from Philip Schuyler to Philip Jerimiah Schuyler from Albany on November 20th, 1801.

Thursday, October 3, 2024

Part I: Cornelia Lynch Schuyler: A Beauty Matched with Wit

by Sarah Lindecke

Cornelia Lynch Schuyler Morton painted by Gilbert Stuart in
1807 
as part of a portrait set with her husband Washington Morton.
The set was a gift to the couple from Cornelia’s brother Philip Jeremiah
and his wife Mary Anna in return for the portrait set they’d received.
 

In this three-part-blog-series, we’ll chronicle the life and circumstances of Cornelia Lynch Schuyler Morton (1775-1808), one of the five Schuyler sisters, from her early life to her scandalous elopement with George Washington Morton (1776-1810), and to her unfortunate death at just thirty-three years of age. In this first installment, we’ll explore Cornelia’s childhood and teenage years. 

Cornelia Lynch Schuyler Morton (1775-1808) was born December 22nd, 1775, to Philip John Schuyler (1733-1804) and Catherine van Rensselaer Schuyler (1734-1803). She was the thirteenth of the fifteen children the Schuyler couple had together. Her birth came at an auspicious time for her family. Earlier that year, her father, Philip Schuyler, was made a Major General in the Continental Army, bringing him expanded power and prominence. 

Cornelia was very young when the American Revolutionary War was waged, and the tumult of the times may help explain why records of her childhood are few and far between. In 1783, when she was eight years old, the American Revolutionary War officially ended, and the wider world opened to Cornelia as she started her schooling. A Schuyler receipt from September 26th, 1783, set payment for the education of three children until February for a total of fifteen pounds, four pence at the Academy at Albany, a precursor to the present Albany Academy. The other two children receiving an education alongside Cornelia, per the receipt, were Cornelia’s older brothers Philip Jeremiah (1768-1835) and Rensselaer (1773-1847), who were fifteen and ten years old respectively. At the Academy she and her brothers would have learned the regular subjects of school at this time such as history, reading, writing, economics, and some basic sciences. Her brothers would have received the subjects of animal husbandry and navigation, subjects that were not perceived as useful for the young girls to learn. 

Alongside these common subjects, as a young girl, Cornelia would also have studied the “feminine arts,” such as needlework, painting, drawing, dancing, music, etc. Though records of Cornelia receiving these sorts of tutoring do not exist, she evidently practiced drawing as a letter her father wrote on June 20th, 1790, suggests he was frustrated that drawings she made did not get delivered to her mother. Cornelia’s years of education would prepare her for life as a “gentleman’s daughter.” Her father styled himself as such and thus expected that his children would present themselves as well-educated persons in all the right and honorable subjects. (If you are interested to hear more about education of the Schuyler children, look to "I shall most cheerfully pay": The Education of Caty Schuyler). 

Cornelia’s education was a backdrop for the creation of a well-formed young woman, but what was she like outside her studies? As a young person, Cornelia was described as a great beauty. Alexander Coventry, a visitor to the Schuyler’s between September 17th, 1785, and October 19th of the same year, is the first to describe Cornelia’s appearance in his personal diaries, he wrote that one of the Schuyler daughters held “the appearance of a future beauty.” Later on in his visit, he wrote of a young lady about ten years of age who was “so elegantly dressed, and had a fine person: fair hair and black eyes.” Most of the people who met Cornelia described her in a similar fashion. Even her later portrait shows she had fair features and light hair starkly contrasted with dark "almost black” eyes. 

Stephen van Rensselaer III painted by Gilbert Stuart. 

Cornelia has often been characterized as “the pretty sister,” which would not be a false statement, but this one-dimensional characterization eclipses the rather playful and sparky personality she appears to have had from the letters she wrote. Most of Cornelia’s surviving correspondence are letters written to Stephen van Rensselaer (1764-1839), the husband of her older sister Margarita “Peggy” Schuyler van Rensselaer (1758-1801). Cornelia is rather tongue-in-cheek in her January 12th, 1795, letter to Stephen, when she called herself his “saucy sister” after she was left behind in Albany when the van Rensselaer’s changed residences. The van Rensselaer’s were moving their residence to New York City at this time in the event that Stephen van Rensselaer became the Lieutenant Governor of New York. Seemingly, with Cornelia’s youthful impatience, as she was twenty years old at the time, when the letter went unanswered by her brother-in-law, as she wrote again to him later that month on January 31st, 1795, asserting that: 


I feared the amusements of New York that seat of fashion that repository of frolic and fun in short of all that’s delicious, would drive from your mind (as it has from your wife’s) the friend and Sister whom you could remember in a less agreeable place…perhaps business or the delightful idea of soon being lieutenant governor, had deprived me of the pleasure of hearing from you, if so I beg pardon, and promise never to write or offend again…indeed it would be hazarding to much the loss of your good opinion which I should sincerely regret and which by silence I may still retain… 

In this first part of her letter, Cornelia wrote whimsically about New York City. She seemingly thought it was a place of wonder, excitement, and opportunity, all of which she likely had witnessed first-hand during her young adult years when she lived in New York City with her sister, Eliza, while being tutored. However, Cornelia was also frustrated in this letter as she did not get a response from her brother-in-law in a timely manner. Her threat to Stephen was to never contact him again, as evidently it would “offend” him if she continued writing to him. Yet her diatribe at Stephen did not conclude there. She continued her letter, writing: 

Upon my word Brother as you grow old you grow ill natured, and I shall be free to tell you I hate you for not acqua(i)nting me how all the beaus in N York are, and what handsom [sic] things they say of me…should you chance to see my sweet heart, Jones pray tell him I am well, and think myself twenty time handsomer then ever the men tell me… 

Cornelia’s consummate wit shines through here. She playfully bore down on Stephan van Rensselaer for his failure to reply as a tender reckoning of his old age and poor temperament. What is even more interesting from this second part of the letter, however, is Cornelia’s reference to her “sweetheart, Jones.” It appears from this addition to her letter that Cornelia’s first encounters with romance were not with her husband, George Washington Morton (1776-1810), but rather with others she met during her young adult years. The identity of this “Jones” is unknown, but evidently Cornelia felt fondly for the man, whether in a serious or playful manner. From this section of her letter, we can read some bit of vanity or desire to be seen as beautiful, but also in Cornelia’s tone we can read a proclamation that she is indeed desirable. She is confident of her beauty, but also that her wit is on par or exceeding those in her set. 

Cornelia’s life would heat up significantly in the later years of the 1790s as she, like two previous siblings, chose a non-traditional route to marriage: elopement. Her methods of marriage are almost as interesting as the man she chooses to marry, George Washington Morton. The next installment in the blog series will take a look at Cornelia’s interesting choice in a husband as well as the ways she broke tradition, for better or for worse.

Sources
Letter written by Philip Schuyler (1733-1084) to Eliza Hamilton on June 20th, 1790 in New York City from the NYPL Schuyler Papers (not available digitally).

Excerpts from the Journal of Alexander Coventry (1783-1831) from the September 23rd  and October 19th, 1785.

Letter from Cornelia Lynch Schuyler to Stephen Van Rensselaer, Albany January 12th, 1795, from the Van Rensselaer Manor Papers in the NYS Archives.

Letter from Cornelia Lynch Schuyler to Stephen Van Rensselaer, Albany January 31st, 1795, from the Van Rensselaer Manor Papers in the NYS Archives.