A Hundred Leagues I’d Walk to My Love: Philip Schuyler’s Musical Courtship of Catharine van Rensselaer

***The article that follows was written as Schuyler Mansion's annual April Fools post. Unfortunately, Philip Schuyler did not write the music that would eventually become "I'm Gonna Be (500 Miles)". Thank you to everyone who played along!***

“But I would walk 500 miles And I would walk 500 more just to be the man who walked a 1000 miles to fall down at your door!” With the rhythmic guitar, heartfelt lyrics, and captivating Scottish accents, who can resist the Proclaimers 1988 hit “I’m Gonna Be”, better known in the US as “500 Miles”? But did you know that the Reid brothers found their inspiration for the song in a piece written by an earlier composer? As it turns out, this composer was none other than our very own Philip Schuyler!

Cover art of the 1988 album Sunshine on Leith,
which included the hit "I'm Gonna Be".

It can be jarring to think of the stern, aristocratic Philip Schuyler as a young musical heartthrob, but letters from Philip’s late teenage years indicate that he briefly took up music, not as a career, but as a way to win the love of the beautiful and elegant Miss Catharine van Rensselaer, or, as Philip referred to her in a letter to his friend Abraham Ten Broeck, “Sweet Kitty VR”. In fact, it was while pining for “Sweet Kitty” during a trip to Quebec that Philip composed a musical arrangement he titled “A Hundred Leagues I’ll Walk for My Love”.

The first evidence of this song comes from a letter written by Schuyler to Abraham Ten Broeck. While the date on the letter is illegible, it must have been written on a trip to Quebec Philip took prior to the outbreak of the French and Indian, or Seven Years, war, likely in 1753. There to discuss a potential business arrangement with Scottish merchant Angus McGonagle (himself no stranger to musical performance), the young man found his mind focused more on romance than finance.

My Dear Brahm; 

Matters here progress but so slowly that I fear it will be two weeks more be fore [sic] I return to Albany. I am whistful [sic] for your companionship and all our happy company there. I trust you will not think that I undervalue our friendship tho if I tell you that my mind and heart turn moment after moment to a certain young lady, the identity of whom I am certain you will guess at. You must not laugh at me Brahm to hear that I have put those thoughts of her into music, thoughts that I might demonstrate the fondness of my heart for hers by walking, without pause, the full hundred leagues and more between us, resting only when I fall down at her door. But music on paper cannot compair [sic] to music on the ear, and so I hope that you will accompany me on your violoncello, along with our two friends so we make a quartet. I esteem my self a poor composer, but I hope that this will make my affections for her evident in ways mere words cannot…

 Philip included the sheet music with his letter; an arrangement for violins, viola, and cello, that has a very familiar sound to it. We do not know if he, Abraham, and their unnamed friends ever ended up performing for Catharine, but not long after this letter was sent, Philip and Catharine were married, and had their first child, Angelica, just five months later. The sparks of romance were definitely bright for these two!

Philip and Catharine Schuyler in later life

According to music historian Dr. Emma Jennery, Craig and Charlie Reid ran across Philip's letter and music in late 1987 in a book about Scottish musicians (in relation to Angus McGonagle's career). As explained by Dr. Jennery in an unrecorded broadcast for BBC Scotland, “Craig and Charlie so often tap into the confluence of place and emotion, drawing on timeless inspiration and interpreting it through their iconic sound. They knew they had something there, with Philip Schuyler’s evocative phrasing about wanting to walk that hundred leagues from Quebec to Albany (the one on New York that is), only to fall down at her [Catharine’s] door. They gave his composition the lyrics it deserved and presented it for a modern audience.” Click here to listen to the Wedding String Quartet perform their rendition of “A Hundred Leagues I’d Walk to My Love”, known to the world today as “I’m Gonna Be (500 Miles)”

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Happy April Fools! As you might have guessed, Philip Schuyler is not the composer behind the Proclaimer's hit, but at least you have it playing through your head again? As is tradition for us, however, we put a lot of real historical content and references into the post. The inspiration for the whole thing came from a letter that Philip Schuyler wrote to his daughter Elizabeth in 1799, in which he made reference to youthful dancing and strolls around Albany.

Abraham Ten Broeck and Philip Schuyler really were childhood friends who maintained a closeness throughout their adult lives. Philip was even initially buried in the Ten Broeck family vault in 1804. The "possible date" for the letter was chosen based on when young Ten Broeck would have returned from a year-long trip to Europe in 1752, and the outbreak of the French and Indian War, or Seven Years War, in 1754. Philip did write to Ten Broeck often, and the reference to "Sweet Kitty VR" comes directly from one of their real-life letters.

So far, there is no known evidence for Philip Schuyler possessing much musical talent or ability, but he certainly encouraged it in his children, especially as part of his daughters' educations. Eliza and Caty are both noted for their skill on the pianoforte, some of their brothers played the flute, and Angelica is believed to have played the parlor guitar. Quartet arrangements were popular in the 1750's, in large part due to the work of composer Joseph Haydn (himself only a year older than Philip). While Philip did not (as far as we know) compose or play music to woo Catharine, the dancing reference in his letter to Elizabeth has been read as an allusion to his early courtship of Catharine. In either case, their relationship does seem to have been as passionate as described here- Philip included frequent attestations of affection in correspondence, and Angelica's birthdate fell well shy of the nine-month-mark from her parents' wedding date.

While Philip Schuyler never did business with Angus McGonagle, the argyle gargoyle who gargles Gershwin gorgeously in season 4 of the Muppet Show, he did work from a young age to develop a broad network of mercantile contacts, both locally and farther afield. This would include trips to Canada throughout his life, as well as New York City, and even a trans-Atlantic voyage to England and Ireland less than a decade after this supposed letter was sent.

Lastly, Dr. Emma Jennery is, in fact, imaginary, but her description of the Proclaimers' music is accurate- many of their songs use emotionally evocative language tied to a specific place or community to tell a story of longing for home and loved ones far away. Year round, staff at Schuyler Mansion are committed to telling all of the many stories that make up our site, both the more familiar ones of the Schuyler family, and those that have received less attention in the past. This commitment to sharing a fuller narrative is apparently something that we share with the Proclaimers as well!

So thanks for reading, and remember...