"Remember Thee"

By Jessie Serfilippi and Kiera Fitzsimmons

Historians spend a lot of time researching, reading, and looking for anything of historical significance, but sometimes, history finds you. Grouped together with documents and letters regarding Louisa Lee and Georgina Schuyler, was a common place book, a handmade collection of literature and quotes that were important to the creator of the book, that belonged to their mother, Eliza Hamilton Schuyler (1811-1863), the granddaughter of Alexander (~1755-1804) and Elizabeth Schuyler Hamilton (1757-1854).   The first few pages of the commonplace book contain a set of four poems. The poems were addressed “To Eliza H.,” and signed with a set of initials, J.L.O., and a first name, Jane.   

Initially, it was unclear who Jane was, but since Eliza was only twelve at the time she received these poems, it’s likely Jane was a schoolmate. At this time, there were multiple schools in Manhattan that catered to wealthy families such as the Hamiltons. A helpful source from the Merchant’s House Museum about elite schools luckily mentions Eliza by name. She attended a school that was run by a wealthy woman named Mary O’Kill (1785-1859), who opened her school at 43 Barclay Street in 1823, and who had a daughter named Jane.  

Birth records show that Jane was born Jane Leigh O’Kill in 1810 to Mary Jay and John O’Kill. This means that when the poems were given to Eliza, Jane was around thirteen or fourteen years old, only about a year older than Eliza. Jane likely attended her mother’s school alongside Eliza and other girls from wealthy families. With the name “Jane” and the initials “J.L.O.,” Jane was certainly the person who gave these poems to Eliza. 

The first poem in the packet, dated July 23, 1824, is titled “To Eliza H,” and is included below.  

Remember thee! Yes, in my heart thou ‘rt enshrin’d, 
Enthron’d in its inmost recefs I have set thee, 
Thy virtues, thy genius, thy pure lofty mind, 
Must live in my thoughts, I can never forget thee. 

                                         2nd 

Still, still, the bright glance of thy soul beaming eye, 
Will illumine the thoughts which thy genius enlighten’d 
To those deep tender tones, I still seem to reply, 
Still dwell on that smile which my sadnefs has brighten’d. 

                                         3rd 

Remember thee? Yes, while remembrance remains, 
While life warms my heart, I can never forget thee; 
While this bosom one trace of affection retains, 
I still must remember and will never forget thee 

This poem appeared in Volume 1 of the Ladies Literary Cabinet in 1819, which can be found here. The recipient of the poem is not revealed in the magazine, but the author is listed as “Harriet.” Jane likely thought of Eliza when she read this poem, so she copied it down to give to her. It’s possible that the girls were facing a time of separation, perhaps a break from school, and Jane copied it for Eliza, even making a few changes of her own. The poem may have served as a comfort for Eliza to remind her of their affection for one another, even while they were apart.  

The poem contains strong themes of love and remembrance. Words like “enshrin’d” and “enthron’d,” and repeated lines about remembrance exude a sense of mourning and reflect common mourning language of the early 19th century. While typically associated with death, this could be seen as mourning a temporary separation, which will be seen again in “Forget me Not.” 

More so than mourning, this is a poem about love. Throughout the poem, the writer uses language clearly associated with love or deep affection. Jane even went so far as to change the final line of the poem to more specifically express her own feelings. The original line reads “I still must remember, and still must regret thee,” while Jane wrote “I still must remember and will never forget thee.” This conveys far different emotions than the original version. 

This imagery continues in the final poem in the packet, “Forget me Not.” This poem appeared in Volume 1 of Saturday Night in 1824, which can be found here. In the publication, the poem was addressed to “W. B.” and signed “Charlotte.”

There is a flower that oft unheeded grows  Amid the splendour of the summer’s ray,  And though this simple flower no sweets disclose,  Yet it will tell thee all I wish to say.  And when we’re parted by the foaming sea,  And thou art carelefs what may be my lot;  I’ll send this flower a mefsenger to thee,  And it shall gently whisper thus--                                                                                      Forget me not  The first poem seems to tell Eliza that Jane will not forget her, but with this poem, she asks Eliza to remember her as well. Just as it does today, in the 19th century the forget-me-not flower had connotations of love and mourning. The flower seems to represent a mourning of the severance of their bond in anticipation of their separation. It is possible Jane included a pressed flower with this poem, as was common at the time, because she specifically referenced “this flower,” as opposed to the original line in the poem in Saturday Night which says “that flower.” 

This poem is short, but the author was still able to convey a sense of deep longing through only a few lines. It begins by describing the flower in the first half of the poem as unremarkable, but with great meaning. In the second half, the poet expresses worry that the recipient will lose affection for her while they are separated. It is possible that Jane was having these same fears about Eliza and gave her the packet of poems to ensure her feelings would not be forgotten. 

Based on papers and correspondences from later in Eliza’s life, her friendship with Jane did not seem to last into adulthood. There are many letters, mostly dating from the 1830s-1860s, between Eliza and her childhood friends that survive, but there are none, save for the four poems, from Jane. Jane and her family are never mentioned in any letters in Schuyler Mansion’s collection, not even by Eliza’s siblings or friends, who often gave her the latest on their friends and acquaintances when she was out-of-town. Eliza eventually married her first cousin once-removed, George Lee Schuyler (1811-1890), in 1835. The couple had three children together, Philip, Louisa Lee, and Georgina. Eliza died in 1863, when she was only fifty-two years old.      

Jane herself was married on August 11, 1836, to John Swift, at Trinity Church in Manhattan. Trinity Church was attended by many of Manhattan’s famous politicians and the wealthiest members of society. Her marriage in the church marks her place among the elite. She was widowed in 1850 at the age of forty and took over the school upon her mother’s death in 1859. As of 1861, she was still noted as teaching at the school.      

Today, many people take for granted how easy it is to keep in contact with friends due to the prevalence of social media. For Jane and Eliza, exchanging letters, living in close proximity to one another, and moving in the same social circles were the main way of keeping in-touch. While Jane and Eliza seemed to lose touch as adults, at one point during their childhood, they had a very close relationship. Even though the girls did not keep in contact as adults, Eliza placed the four poems Jane gave her in her commonplace book and kept them until her death.  

(Below are the other two poems Jane gave to Eliza for you to enjoy!)  

                A Night on the Alps 

                      __________  

Come golden Evening! __ In the west 
Enthrone the storm dispelling sun, 
And let the triple rainbow rest 
O’er all the mountain tops; __ ‘tis done; 
The tempest ceases; bold and bright 
The rainbow shoots from hill to hill; 
Down sinks the sun; on prefses night; 
__ Mont Blanc is lovely still! 

                     ____________  

   There take thy stand, my spirit; __ spread 
The world of shadows at thy feet; 
And mark how calmly over head, 
The stars, like saints in glory meet; 
__ While, hid in solitude sublime, 
Methinks I muse on Nature’s tomb, 
And hear the pafsing foot of Time 
Step thro’ the silent gloom! 

 

             For a Turquoise Ring. 

Pure blue the Persian Turquoise shows, 
Thus in its native land it throws 
A light no other gem has given, 
A light so near resembling heaven, 
An anchorite would turn to blefs 
Its beauty in the wildernefs! 

Born for one land, no other soil 
Gives such reward to human toil; 
Golconda’s splendors blaze in vain, 
Nor dare the furnace heat sustain; 
The topaz dims its mellow light, 
The hand of art must make it bright. 

by Jessie Serfilippi and Kiera Fitzsimmons 

"The Noble North American Groundhog": Philip Schuyler's Underappreciated Engineering Inspiration

The guffaws of neither gentlemen of Agriculture nor polite Society, will ever shake me from my maintenance that the creature most Worth[y] of emulation & praise is the Noble north American Ground Hog.                                                                                                  -Philip Schuyler, to John Cadwalader, November 6^th, 1785

 

A groundhog, or woodchuck, outside of its burrow in Quebec.

While best-known as a general and politician, Philip Schuyler’s primary occupation over the course of his life was that of the “gentleman farmer”. Though he seldom labored in the fields himself, much of his time was taken up with the management of thousands of acres of farmland, the transport and sale of crops from that land, and the pursuit of more sophisticated scientific approaches to agriculture. It can be surprising to learn, therefore, that Schuyler could speak so highly of the North American woodchuck, or groundhog. And yet, the generational feud that has existed between farmers and groundhogs since the first crop was planted in North America notwithstanding, for Philip Schuyler, this creature held a fascination bordering on obsession.

In 1785, just as Cadwalader was helping to found the Philadelphia Society for the Promotion of Agriculture and Agricultural Reform, Philip Schuyler penned the words above. He went on to explain his appreciation of the groundhog, saying: 

Cadwalader and family, by Charles Wilson Peale

The greatest agrarian minds in New York, Pennsylvania, Maryland, and elsewhere have sought to best the groundhog, to no avail, and though they rant and rave to the point of apoplexy at the depredations done by this denizen of our fields and forests, neither the most inspired creations of their minds, nor the furor of all their vented spleen can scarce suffice to protect a single lettuce should this furred artificer of the soil select it for consumption... In their mannerisms they are neat and tidy, practicing good grooming and washing their faces in like manner to squirrels, cats, and rakecoons [sic] and the better sort of persons. They are as attentive to their young as the most doting parent, and cooperate with one another in the industrious construction of their sprawling domiciles or dens. Their patient procurement of foodstuffs against the harsh winter months ought be a measured example to the young and reckless Farmer who seeks to sell all he may with no thought to laying by a stock against want or poor markets, and their coats are markable [sic] soft and warm for a creature that lives so much of its life in the soil - more so than musk rats [sic], though not so suitable for hats as beaver when it was more plentiful. In short, while they may plague our crops and frustrate our ambitions at every turn, the ground hog is better regarded as a Teacher to men such as ourselves, rather than an Adversary.

Despite Schuyler’s reputation as a respected farm manager himself, Cadwalader was unconvinced, and said so to fellow progressive agriculturalist, George Logan in a letter just a few weeks later, on November 23rd:

…I have received another letter from Ph. Scuyler [sic] at Albany on the subject of Ground Hogs. I own the man is a self-taught genius on many matters relating to our Fields -should you pardon my punning- but to hear him write so much on the subject of this garden posst [sic- pest] strains credulity. How can this be the same man whose flax mills garner such praise?

From this letter, it seems that this was not the first time Schuyler had expounded upon the qualities of the woodchuck. In fact, evidence of his interest in the creature can be traced back to the 1750’s at least. According to Schuyler Mansion site director Heidi Hill, “Philip Schuyler long marveled over the engineering prowess of the groundhogs of NYS…first taking note of the groundhog’s genius as it relates to root and bolder support and bearing weight in an elaborate maze of woodchuck dens he discovered near Lake Oneida while stationed there during the French and Indian conflict.”

Philip Schuyler's proposed plan for the use of 
tunnels to seize French food supplies from the
storehouse, bakery, and gardens at Frontenac
as outlined on a British map of the fort.

Further evidence of his appreciation can likewise be traced to his early military service in a letter from Schuyler to his mentor, John Bradstreet. Bradstreet was one of the leading British military officers in North America. In 1758, Bradstreet was attempting to capture the vital French fortification at Frontenac, near modern day Kingston, Ontario. In laying plans for the anticipated siege, Philip Schuyler apparently looked to woodchucks for inspiration once again, suggesting that, “...should the French prove firm in their defense, hunger has a way of breaking men of their resolve. I propose that a team of sappers be employed at good rates as to instill a sense of expedition in them, that they might dig under the walls of the fortress and, locating the French food supplies, make off with them, as does the wily ground hog or, as the French in Canada call it, the siffleux.”

Bradstreet, however, elected not to take his protégé’s advice in this case, replying, “as to the ground hog plan, we have neither the men nor the time to undertake such a digging, and if we had, what cause would I have not to simply send in soldiers to effect a capture through these tunnels? I suggest we look to another animal for our guide in this matter, perhaps I might suggest a more martial creature?” Fortunately for the British, following a well-orchestrated campaign, Frontenac surrendered after a two-day siege.

Recently, further evidence has been found in Schuyler’s original plans for the construction of his Albany mansion. Visitors often ask if Philip Schuyler had a secret escape tunnel leading out of the home, in case of attack. While there is no evidence that it was ever constructed, his early notes on the project include a letter to his friend Abraham Ten Broeck in which Schuyler wrote, “As for the matter of selecting a plot upon which to situate the House I intend, it is best it be atop a hill, with a good view of the river, plenty of cultivatable land about it, and perhaps a stream for maintaining a mill. The soil must needs be firm enough for reliable construction, but not so stony as to preclude the digging of passages such as we have spoken of.”

It has always been assumed that the “passages” he referred to were for storage or some sort of unspecified industrial application, however, in January of 2022, archivists Jan Mack and Allan Dyssop found documents that radically altered our understanding of the process of designing the home: Philip Schuyler’s original, hand-sketched blueprints for what would become Schuyler Mansion. What they saw was surprising, to say the least!

According to Mack and Dyssop, “Philip Schuyler likely drafted these plans well before ever purchasing the plot of land on the hill overlooking the Dutch Reformed Church’s pastureland, so it is unsurprising that it differs significantly from the ultimate construction. The most notable change, however, really took us off guard. As you can see from the lines radiating off of the sides of the house, it appears that Schuyler saw his home as the hub of a vast system of underground tunnels connecting him to various locations in the city of Albany and the surrounding area. From his notes on the paper, it appears that his inspiration for this design was the burrow pattern of a woodchuck or groundhog.”[1]

Philip Schuyler's early vision for his estate, complete with groundhog-inspired subterranean passageways. The eventual construction was moved to the south side of the Beaverkill (shown at left), and the tunnel-plan was abandoned.

The locations connected by the tunnel system include the Dutch Church, Schuyler’s mother’s house, and the home of his friend Abraham Ten Broeck. While there are still many questions to answer, staff at Schuyler Mansion are excited. “This is just incredible,” says Ian Mumpton, historic site assistant, “I mean this is literally incredible information.”

Today is April 1^st, meaning reservations are now available for our April tour dates. Check out our Facebook page for more information about visiting the site this month, and we will hope to see you soon!

**********

Happy April Fools!

Yes, it’s that time again where we make stuff up, but as usual, the prank article contains references to plenty of fascinating real history! So, what's real?

To start with, Schuyler, Cadwalader, and Morgan were all prominent agriculturalists of their day, and leaders in the post-Revolutionary War effort to modernize and expand scientific agriculture in the early United States republic. You can learn more about the formation of the Philadelphia Society for the Promotion of Agriculture here and explore sources related to it here. You can also click here for sources about the New York Society for the Promotion of Agriculture, Arts, and Manufactures, the origin of the Albany Institute of History and Art. Founded in New York City in 1791, the organization moved from NYC to Albany in 1797, and their history is closely connected to the Schuyler family and the mansion! Similarly, Schuyler’s flax mills really were a key part of his agricultural empire, and garnered praise and awards in their day. (Check back soon for an article about the exhibit expansion currently in the works, that will include an opportunity for visitors to “talk” with a tenant laborer about what work was like in the flax mill!)

While Schuyler did not propose groundhog-related stratagems to his commander during the French and Indian war, he did serve with distinction under Bradstreet, and was involved in the logistics of military operations against the French colonial empire in Canada. He did traverse Oneida lake en-route to Oswego, and was involved in the campaign to capture of Frontenac. He knew the importance of supply lines intimately, and was well aware of how precarious an operation or defense could become without food! The map of Frontenac shown is real as well and can be viewed here (minus the added groundhog tunnels of course), courtesy of the Massachusetts Historical Society. The same source also includes maps of the defenses built at Oneida lake during the conflict, as well as Forts Stanwix, Ticonderoga, and Ontario, Schenectady and Albany, and many other locations Schuyler visited over the course of his service in the French and Indian war and the Revolution.

As we noted last year, Schuyler was close friends with Abraham Ten Broeck, and talked with him about many of his plans over the course of his life. “Brahm” was likely Philip’s closest friend, besides his wife Catharine, and had Philip intended to build a woodchuck warren beneath his mansion, would almost certainly have been roped into the plan. As it is, the thought of Philip Schuyler and his best friend sneaking off to the coffeehouse together through their secret tunnel must be written off as the product of an overactive imagination.

As some folks caught, we were “making this up” with archivist authors Mack and Dyssop. Similarly their editor, Anne Notherpun is another pun, and their publisher is in fact, not a real press (and therefore not located in the Pennsylvania town universally associated with Groundhog’sDay in the US). But while the names were nothing more than fun wordplay, the uncovering of old documents capable of shedding new light on old ideas is very real, and very topical, here at Schuyler Mansion. Whether through newly acquired or discovered documents, revisiting old sources with fresh eyes, or good old-fashioned historical sleuthing in pursuit of answers to new questions, we a constantly learning new information about the people whose histories are intertwined with Schuyler mansion. In fact, “What’s New?” is the theme for our social media this month. Be sure to follow us on Twitter, Facebook, and Instagram to hear out about new discoveries, get the scoop on cutting edge research, and sneak a peek at upcoming exhibit content still in development!

As always, thank you to everyone who played along with our tradition. And remember, it is important to keep an open mind when exploring the past, because the truth is sometimes weirder than the fiction, but always make sure to check your sources, especially is the information seems particularly… incredible!

---

[1] Mack, Jan, and Allan Dyssop. 2022. An Archival Analysis of Documents Relating to the Construction of Schuyler Mansion. Edited by Anne Notherpun. Punxsutawney, PA: Knott Ariel Press.

 

Women’s History Month Highlights

This March, we highlighted multiple women on our blog and Twitter feed. Below you can find some information about each woman and a link to learn more about them. 

Searching for Sylva: Life After Manumission What happened to Sylva and her three children when they were manumitted by Philip Schuyler’s sons and sons-in-law? Here we explore the possibilities of what life she may have built for herself in freedom. 

Mary Johnson: A Profile in Resistance What happened when Mary Johnson, a Loyalist who was married to one of Schuyler’s Loyalist enemies, was arrested and brought to Albany? Find out how she resisted her arrest in our Twitter thread. You can also read more about her in a previous blog post.

Margaret “Peggy” Schuyler van Rensselaer: A Profile in Intellect Due to her health, Margaret Schuyler van Rensselaer was often confined to her home while in her thirties, but that didn’t stop her mind from travelling. Learn about her childhood, adulthood, and love of learning in our Twitter thread. 

Mary Carpenter: A Profile in Survival (TW: Sexual Assault) Mary Carpenter was only seventeen when John Bradstreet Schuyler, Philip Schuyler’s eldest son, forever changed her life. While the specifics are unclear, Mary was put in a position where she had to fight for the survival of her reputation, home, and self. Learn more about her in our Twitter thread. 

Bet: A Profile in Agency and Injustice (TW: Abuse and Capital Punishment) Bet was just sixteen or seventeen when she became part of one of Albany’s most infamous events: The Fire of 1793. Why she helped set the fire is unclear, but her testimony was incredibly detailed. Learn more about her, the agency she expressed, and the injustice she faced in our Twitter thread. 

Do you want to keep learning about the women of Schuyler Mansion? We’ve got you covered! We have an entire section on our blog dedicated to them. Posts range from the 18th century Schuylers to the Schuylers who helped turn the home into a historic site, from the women the Schuylers enslaved to the Loyalists in the Schuylers’ lives. We’re always adding new blog posts, so keep an eye out for new content by following us on here Blogspot, Twitter, Instagram, and YouTube! 

A Hundred Leagues I’d Walk to My Love: Philip Schuyler’s Musical Courtship of Catharine van Rensselaer

***The article that follows was written as Schuyler Mansion's annual April Fools post. Unfortunately, Philip Schuyler did not write the music that would eventually become "I'm Gonna Be (500 Miles)". Thank you to everyone who played along!***

“But I would walk 500 miles And I would walk 500 more just to be the man who walked a 1000 miles to fall down at your door!” With the rhythmic guitar, heartfelt lyrics, and captivating Scottish accents, who can resist the Proclaimers 1988 hit “I’m Gonna Be”, better known in the US as “500 Miles”? But did you know that the Reid brothers found their inspiration for the song in a piece written by an earlier composer? As it turns out, this composer was none other than our very own Philip Schuyler!

Cover art of the 1988 album Sunshine on Leith,
which included the hit "I'm Gonna Be".

It can be jarring to think of the stern, aristocratic Philip Schuyler as a young musical heartthrob, but letters from Philip’s late teenage years indicate that he briefly took up music, not as a career, but as a way to win the love of the beautiful and elegant Miss Catharine van Rensselaer, or, as Philip referred to her in a letter to his friend Abraham Ten Broeck, “Sweet Kitty VR”. In fact, it was while pining for “Sweet Kitty” during a trip to Quebec that Philip composed a musical arrangement he titled “A Hundred Leagues I’ll Walk for My Love”.

The first evidence of this song comes from a letter written by Schuyler to Abraham Ten Broeck. While the date on the letter is illegible, it must have been written on a trip to Quebec Philip took prior to the outbreak of the French and Indian, or Seven Years, war, likely in 1753. There to discuss a potential business arrangement with Scottish merchant Angus McGonagle (himself no stranger to musical performance), the young man found his mind focused more on romance than finance.

My Dear Brahm; 

Matters here progress but so slowly that I fear it will be two weeks more be fore [sic] I return to Albany. I am whistful [sic] for your companionship and all our happy company there. I trust you will not think that I undervalue our friendship tho if I tell you that my mind and heart turn moment after moment to a certain young lady, the identity of whom I am certain you will guess at. You must not laugh at me Brahm to hear that I have put those thoughts of her into music, thoughts that I might demonstrate the fondness of my heart for hers by walking, without pause, the full hundred leagues and more between us, resting only when I fall down at her door. But music on paper cannot compair [sic] to music on the ear, and so I hope that you will accompany me on your violoncello, along with our two friends so we make a quartet. I esteem my self a poor composer, but I hope that this will make my affections for her evident in ways mere words cannot…

 Philip included the sheet music with his letter; an arrangement for violins, viola, and cello, that has a very familiar sound to it. We do not know if he, Abraham, and their unnamed friends ever ended up performing for Catharine, but not long after this letter was sent, Philip and Catharine were married, and had their first child, Angelica, just five months later. The sparks of romance were definitely bright for these two!

Philip and Catharine Schuyler in later life

According to music historian Dr. Emma Jennery, Craig and Charlie Reid ran across Philip's letter and music in late 1987 in a book about Scottish musicians (in relation to Angus McGonagle's career). As explained by Dr. Jennery in an unrecorded broadcast for BBC Scotland, “Craig and Charlie so often tap into the confluence of place and emotion, drawing on timeless inspiration and interpreting it through their iconic sound. They knew they had something there, with Philip Schuyler’s evocative phrasing about wanting to walk that hundred leagues from Quebec to Albany (the one on New York that is), only to fall down at her [Catharine’s] door. They gave his composition the lyrics it deserved and presented it for a modern audience.” Click here to listen to the Wedding String Quartet perform their rendition of “A Hundred Leagues I’d Walk to My Love”, known to the world today as “I’m Gonna Be (500 Miles)”

****************************************************************************

Happy April Fools! As you might have guessed, Philip Schuyler is not the composer behind the Proclaimer's hit, but at least you have it playing through your head again? As is tradition for us, however, we put a lot of real historical content and references into the post. The inspiration for the whole thing came from a letter that Philip Schuyler wrote to his daughter Elizabeth in 1799, in which he made reference to youthful dancing and strolls around Albany.

Abraham Ten Broeck and Philip Schuyler really were childhood friends who maintained a closeness throughout their adult lives. Philip was even initially buried in the Ten Broeck family vault in 1804. The "possible date" for the letter was chosen based on when young Ten Broeck would have returned from a year-long trip to Europe in 1752, and the outbreak of the French and Indian War, or Seven Years War, in 1754. Philip did write to Ten Broeck often, and the reference to "Sweet Kitty VR" comes directly from one of their real-life letters.

So far, there is no known evidence for Philip Schuyler possessing much musical talent or ability, but he certainly encouraged it in his children, especially as part of his daughters' educations. Eliza and Caty are both noted for their skill on the pianoforte, some of their brothers played the flute, and Angelica is believed to have played the parlor guitar. Quartet arrangements were popular in the 1750's, in large part due to the work of composer Joseph Haydn (himself only a year older than Philip). While Philip did not (as far as we know) compose or play music to woo Catharine, the dancing reference in his letter to Elizabeth has been read as an allusion to his early courtship of Catharine. In either case, their relationship does seem to have been as passionate as described here- Philip included frequent attestations of affection in correspondence, and Angelica's birthdate fell well shy of the nine-month-mark from her parents' wedding date.

While Philip Schuyler never did business with Angus McGonagle, the argyle gargoyle who gargles Gershwin gorgeously in season 4 of the Muppet Show, he did work from a young age to develop a broad network of mercantile contacts, both locally and farther afield. This would include trips to Canada throughout his life, as well as New York City, and even a trans-Atlantic voyage to England and Ireland less than a decade after this supposed letter was sent.

Lastly, Dr. Emma Jennery is, in fact, imaginary, but her description of the Proclaimers' music is accurate- many of their songs use emotionally evocative language tied to a specific place or community to tell a story of longing for home and loved ones far away. Year round, staff at Schuyler Mansion are committed to telling all of the many stories that make up our site, both the more familiar ones of the Schuyler family, and those that have received less attention in the past. This commitment to sharing a fuller narrative is apparently something that we share with the Proclaimers as well!

So thanks for reading, and remember...